Frieze Seoul, 2025
installation view: with Del Kathryn Barton
photography: Kyoungtae Kim
somebody’s fooling around, with my chances on the danger line, 2025
synthetic polymer, marble dust, 16.9ct lemon gold leaf, on canvas, composition and wood
206 x 122.2 x 11 cm
photography: Robert Colvin
Detail:
somebody’s fooling around, with my chances on the danger line, 2025
the memory of the past activates the present, 2025
synthetic polymer, marble dust, 16.9ct lemon gold leaf, museum glass, on linen and wood
62.6 x 56.4 x 9.2 cm
photography: Christian Capurro
Detail:
the memory of the past activates the present, 2025
Love will never break the shape we take, 2025
synthetic polymer, marble dust, 22ct gold leaf, on linen and wood
88.5 x 112.8 x 6.5 cm
photography: Robert Colvin
Detail:
Love will never break the shape we take, 2025
Frieze Seoul, 2025
installation view: with Del Kathryn Barton
photography: Kyoungtae Kim
fight for even being looked at right, 2025
synthetic polymer, marble dust, 24ct gold leaf, museum glass on canvas, composition and wood
98 x 58.2 x 12.5 cm
photography: Robert Colvin
Detail:
fight for even being looked at right, 2025
Why do you think we should suffer in silence?, 2025
synthetic polymer, marble dust, 24ct gold leaf, UV70 glass, on linen and wood
95.6 x 70.1 x 9 cm
photography: Christian Capurro
Detail:
Why do you think we should suffer in silence?, 2025
Detail:
Why do you think we should suffer in silence?, 2025
Frieze Seoul, 2025
photography: Kyoungtae Kim
The propaganda of being the true self, 2025
synthetic polymer, marble dust, 13.25ct white gold leaf, on linen and wood
67.5 x 52.5 x 5 cm
photography: Robert Colvin
Detail:
The propaganda of being the true self, 2025
Love don’t ever break the shape we take, 2025
synthetic polymer, marble dust, copper leaf, on canvas and wood
112.2 x 85 x 6.5 cm
photography: Robert Colvin
Detail:
Love don’t ever break the shape we take, 2025
Frieze Seoul, 2025
installation view: with Del Kathryn Barton
photography: Kyoungtae Kim