ISCP Support Material

Just before the most significant events, people are particularly prone to deny the possibilities of the future. (cause all we're doing is learning how to die), 2014 - 2017

synthetic polymer, marble dust, 24ct gold leaf, 12ct white gold leaf, copper leaf, museum synthetic polymer on canvas and wood

236.5 x 186.4 x 17 cm

Art Gallery of NSW, Bulgari Art Award 2017

Collections 2000 - Present, Naala Badu, Lower Level 1, Art Gallery of NSW, 2024

Julie Ewington, Tomislav Nikolic: Edging ecstasy, invocations of consciousness, MER. Borgerhoff & Lamberights, May 2023

Matthew Westwood, Prize winner owes debt to old master, The Australian, 28 April 2017

Elissa Blake, Bulgari Art Award 2017 : Tomislav Nikolic sees red, The Sydney Morning Herald, 27 April 2017

Gabriella Coslovich, Bulgari Art Award 2017 winner Tomislav Nikolic, AFR Magazine, 27 April 2017

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to explain how it feels, 2021

Installation view:


to explain how it feels, 2021

Fox Jensen McCrory Gallery, Auckland, New Zealand
18 March – 24 April 2021

photography: Sait Akkermin

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 the illusion of thorough understanding, 2016 - 2017

the illusion of thorough understanding, 2016 - 2017

acrylic, marble dust, silver, 24ct gold leaf, platinum leaf, museum glass on quartz crystal, wood and plaster gesso + radiata pine, basalt and mdf

2 parts: 50 x 45.5 x 10 cm & 81.5 x 65 x 65 cm

Private Collection, Melbourne, Australia

transparent myths for the transcendent + vestiges of now, 
Station Gallery, Melbourne, Australia, 25 February – 18 March 2017

Julie Ewington, Tomislav Nikolic: Edging ecstasy, invocations of consciousness, MER. Borgerhoff & Lamberights, May 2023

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What you think is worthless, I'm adoring, 2025

What you think is worthless, I'm adoring, 2025

synthetic polymer, marble dust, 22ct gold leaf, on canvas, composition and wood

59.5 x 63.5 x 14.7cm

Courtesy of Fox Jensen & Fox Jensen McCrory, Auckland, New Zealand

Art Basel Hong Kong, Fox Jensen & Fox Jensen McCrory Gallery, Hong Kong, 26 – 30 March 2025

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 4 : lies come hard in disguise, 2017 - 2019

4: lies come hard in disguise, 2018 - 2019

acrylic polymer, marble dust, 16.9ct lemon gold leaf, bronze, on wood and steel

66 x 70 x 5 cm

Private Collection, Melbourne, Australia

pay the prophets to justify your reasons, Fox Jensen McCrory Gallery, Auckland, New Zealand, 14 August – 14 September 2019

John Hurrell, Tomislav Nikolic: Eight Paintings, EyeContact,
28 August, 2019

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Being's believin', 2023

Installation view:


Being's believin', 2023

Fox Jensen McCrory Gallery, Auckland, New Zealand
23 November – 16 December 2023

photography: Sait Akkermin

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codice chronicles + vibration translations, 2025

Installation view:


codice chronicles + vibration translations

STATION Gallery, Melbourne, Australia
31 May – 28 June 2025

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Come on, let's have it out, try a little crazy on me, 2024

Come on, let's have it out, try a little crazy on me, 2024

synthetic polymer, marble dust, 15.3ct green gold leaf, 24ct gold leaf, museum glass on linen, composition and wood

50.4 x 57.8 x 11.3 cm

Private Collection, Melbourne, Australia

Frieze Seoul, STATION Gallery, Seoul, South Korea, 4 - 7 September 2024

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Installation view:


vestiges of now, 2017

Xavier Fiol Projects, Madrid, Spain
21 November 2017 – 13 January 2018

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 the inaction of words  , 2013 - 2016

the inaction of words, 2013 - 2017

acrylic, marble dust, 22ct gold leaf, 12ct white gold leaf on canvas and wood

corner diptych: 209.8 x 192.1 x 7 cm & 210.2 x 192.5 x 6.6 cm

Collection of the Artist

transparent myths for the transcendent + vestiges of now, 
Station Gallery, Melbourne, Australia, 25 February – 18 March 2017

Julie Ewington, Tomislav Nikolic: Edging ecstasy, invocations of consciousness, MER. Borgerhoff & Lamberights, May 2023

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